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November 28, 2019

My Fav Art Supplies – Updated! :)

By Tamara Laporte  |   in art tips  | Tags: art journalling , art supplies , favorite art supplies , favourites , mixed media art , tamara laporte , willowing  

Hey there fabulous friends! :) Time for a more up to date blog post on my favourite art supplies! I’ve been pretty consistent over the years with which supplies I’ve favoured, but it has changed quite a bit in the last couple of years, so I thought I’d do a new bloggie on this for you! Yay! :) Here we go! 

1. My favourite paper used to be (and I still like it a lot now!) = Daler Rowney – The Langton – Hot-pressed Watercolour Paper – 140lb. 1-hotpressed

But is now: Saunders Waterford Paper Block – 12x16in (31x41cm) HP

I prefer hot-pressed over cold pressed, the difference is that hot-pressed is much smoother than cold pressed. There is more of a grain in cold pressed which I don’t really like. I found a little image on google showing the difference:

2-paper

Also, if you do heavy mixed media layering with wet work, paints and collage you want to go for a minimum weight of 14olb (300gsm2). Thinner paper will not be able to withstand heavy mixed media work unless you gesso it thoroughly. :) Other good brands I use for paper too: Saunders & Waterford/ Fabriano (again I like: hot-pressed).

2. My favourite journal to work in. First up: I still haven’t found *the perfect* journal yet. It’s all about the paper for me, but one is coming very close to being perfect and it’s the Watercolour Sketchbook (HP) by Roberson (with Saunders & Waterford paper). Sadly, they’ve discontinued it! :(.  A second fav is the Saunders Waterford (HP) journals, they’re a little easier to find online, just google! :)

roberson

3. My favourite pencil is the Graphgear 1000 by Pentel. This is quite a pricey mechanical pencil but it’s worth it. What I like about this pencil is that it’s weighted, so it feels heavier in your hand than some of the cheaper ones (though they are cool too). I like my leads in the ‘b’ range and the size: 0.9. The size refers to how thin or thick the lead is. The smaller you go, the thinner your lead, the more detailed/ finer work you can do. 4-crayons

Regarding the weight of the lead: ‘b’s’ are softer and smudgier, ‘h’s’ are ‘harder’ and less smudgy, here is a swatch of lead scribbles (found through google image search) that shows you the difference:

6-swatches

Btw: totally didn’t know there was an ‘F’ option!

5-leads4. Though graphite is still my favourite sketching tool, I’ve started using Charcoal Pencils (Derwent and other brands), Stabilo All pencils (or China markers) a lot more too nowadays. This specifically when I want to achieve a dark shading without the reflection of the graphite. Charcoal is great as it’s pitch black and you can smudge it, the Stabilo All pencil is great because it writes over anything and everything and is watersoluble (but isn’t super great for smudging). I recommend both! :)

derwent-charcoal-pencils2
 

stabiloall

5. I use a variety of paints, from watercolour paints in tubes, gouache, acrylics to watercolor pencils but my go-to and favourite paint supplies are my beloved watersoluble crayons (Caran D’ache Neocolor II). I love them. They are basically really vibrant watercolour paints in a stick. They are really versatile and the colours just pop. You can use them as a crayon (dry) or you can scribble/ add colour to your page and then ‘activate’ the paint with some water and a paintbrush. You can also lift paint straight off the crayon with a wet brush. Super versatile these babies. Regarding brands, I haven’t actually used any other brands than Caran D’ache but from what I hear, other brands’ crayons don’t seem to compare. PS. careful when buying these, the box that holds the non-watersoluble wax crayons looks almost identical to the watersoluble crayons (Neocolor I’s).

3-crayons

I have recently come to love some other watersoluble paints! I absolutely adore Jane Davenport watercolour paints and her mermaid markers too! They are super vibrant (the way I like my paints) and can be written over with posca pens really well!

6. My favourite brushes are by Pro Arte – England. I like the “acrylix brushes“, they have a nice balance between being firm and soft. They are not too coarse, the hairs are fine and hold up quite well for all the mixed media stuff I do. Shape wise I usually choose the square shaped ones, but I have some round tipped and pointy tipped ones too. 12-brushes

And now that I’m working with more watercolours, I’ve loved working with the Daler Rowney System 3 Watercolour Brushes!

7. White Gesso. So, I’ll admit, for a long time I didn’t really get gesso. I was all like: why would I need to prime any of my surfaces, they’re already prepared so I can paint on them, sooooo? Now, I love love love my white gesso. I use it for a variety of things: sometimes when a painting is just going nowhere and I feel like I need to start over, I gesso over a painting and tadaa; I can start again. I also use white gesso as part of my layering process; I love brayering gesso over a mixed media background if I need to ‘mute it down’ a little. I use gesso as a white paint. In the past I would use white acrylics, but I now use white gesso for highlights or anywhere I need to add white colour paint. Lastly, I do sometimes use white gesso as a primer, if I work on a surface that is thin-ish and I need it to be sturdier, I’ll add a layer of gesso (for instance, some of the moleskines have thin pages, gesso helps firming them up). Brand wise, I’ve only ever used winsor & newton galeria and very happy with that one. There are a lot of different gessos out there though, some are coarser, some less coarse, gesso also comes in black and transparent too. 8-whitegesso

8. Speaking of gesso, another one of my favs is clear/ transparent gesso. Clear gesso is brilliant if you do a lot of collage with different types of paper and you want to work on top of your layer but you’re worried about how your former layer will react to all your different mediums. Apply one layer of clear gesso over your entire painting and you’ve basically created a new unified surface that is transparent with a nice tooth and new possibilities. You can also apply a layer of clear gesso over a graphite sketch if you are worried about it smudging when adding paints. :) Brand wise I’ve only ever used the Liquitex one which I love. (Cheaper than Golden).

13-cleargesso

9. Some of you who know me and if you’ve been on my courses you will know that I WORSHIP brayers. I know, strange tool to worship, but truly: they can create super yummy and stunning texture. They create a beautiful grungy pull-me – push-me effect. It’s awesome. I love it. Buy a brayer, you won’t regret it. ;) Brand wise I use speedball, I like the rubber ones, not the soft spongey ones.

9-brayers


10.
Golden Fluid Acrylics. Ok look, the Golden brand is stupid, stupid expensive. Silly, stupid expensive. Truly. But. But. But. They DO create the most amazingly beautiful paints. They are beautifully vibrant, the pigments are stunning and so, if once in a while you find yourself with some spare moneys, invest in a pot or two of colours that you love the look of. That said, other acrylics brands work beautifully too. It’s not necessary to use Golden brands to make wonderful art. The Golden products are a luxury kind of option in my humble opinion, but I do love them and use them a lot. (FYI: apparently Cobalt Teal is out of production, if you find one, scoop it up and SELL IT TO ME ;), it’s gorgeous). 10-goldenpaints

I have also recently been playing with Arteza’s acrylics paints and really love their colour range!

11. A favourite adhesive I use is Liquitex Matte Medium. I use different gel mediums for different things and some are more expensive than others. I have soft gel medium and heavy gel medium by Golden which are much ‘stickier’ than the Liquitex Matte Medium, but they are not necessary to simply glue down collage papers. Additionally Matte Medium can also be used to ‘thin down’ some of your acrylics paints, it’s like an extender of your paints should you want to do that. For thicker collage papers (like some of the scrapbooking papers) I do like using a heavier gel at times as it tends to ‘grab hold’ of it more strongly.

7-mattmedium


12. Impasto Gel Daler-Rowney –
This is also an extender for your paints. The word ‘impasto’ is referring to a paint style. The impasto style is when a painter lays their paint down really thickly in certain areas of a canvas, this medium can extend your paint for this kind of work. However, I use it also mostly for gluing down my collage papers.

impastogel
13. Aquamarkersby Letraset are another fav of mine, though the first batch (lighter pastelly colours) I bought were initially disappointing because I expected them to be more ‘flowy’ for lack of better word. The brighter colours tend to be more potent. So these are markers with water-colour paint inside of them which, much like the crayons, you can ‘activate’ when adding water with a brush. I particularly love the brighter colours and how they react when water is added. :) I use them quite a bit in my paintings.

11-aquamarkers


14. Tombow Markers – similar to Aquamarkers, but these have a great brush like tip that I love and the inks are vibrant and juicy. They are pretty pricey though!

tombowm
And another marker type I’ve recently discovered and love are the ecoline brush pens! Boy these guys are JUICY. :) Full of bright juicy colours!

15. Dylusions Spray Inks – I so very much love these inks! The colours are super vibrant and the inks can be used in a variety of ways: spray through stencils, use directly to paint with on a brush, use to splatter & drip! :) All awesome. Remember that these are highly potent inks: they do not dry waterproof and get ‘activated’ pretty much all the time if you work on top of them, so they’re not that good for layering, but if you learn to work with them the ‘right’ way, they can add such beauty to a page! :)

 

dylusion_ink_sprays3

16. Daler-Rowney Acrylics Artists Inks – These inks are not for spraying (though you could transfer them into a spray bottle if you want), they come in a bottle with an ink dropper. The colours too are vibrant and juicy (I’m sensing a theme here, ha!) and these do dry waterproof as they are made of acrylics. I love using them because you can create interesting layers with them, partially they remind me of the high flow fluid acrylics, similar sort of consistency, so you can create a lot of transparency.

dr-inks
17. Montana Gold Acrylics Spray Paint – These are a more recent fav of mine. I don’t get to use them that often because you really should use them outside (read the health and safety warning please if you use these!) but using these with stencils adds a great effect to your painting. I was introduced to them by Lynzee Lynx last year while in Bali on Flora’s Bloom True retreat. :)

 

montana
 

 

18. Vintage Book Pages & Music Scores – these collage pages almost always make it into my paintings. I love including old book pages and music scores. They add great texture, symbolism and mystery for me! :)

 

papers
 

19. Washi Tape – I have a million rolls of washi tape and love using these versatile, brightly coloured pieces of tape! They work great as part of a collage and can add pop, texture and interest to a layered background. Though they are sticky themselves, I tend to put a layer of gel medium under them so that they def stick. I love finding new and different patterns, there are so many different ones out there! :)

 

washi
20. In the recent years I’ve started using more (non-watersoluble) colour pencils that deserve a mention! I love using colour pencils for adding detail & nuanced shading. Here are my favourite 3 brands:

Prismacolor: 

Luminance: 

Supracolor: 

So, these are some of my current favs! Hope it was useful! Though these are my favourites not all of these products might be or become your favs! I recommend trying out different materials and get to know which ones really work for you.

Let me know what your favourite supplies are in the comment section, I’d love to know! :)

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Tamara Laporte

willowing

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Mixed media artist, teacher and author. I don’t see all IG msgs. For enq pls email hello@willowing.org - Join Creating Cuties:

Mental health struggles and trauma made me a seeker. I’ve been drawn to the spiritual from a young age. I started dabbling in ideas like astral travel at 15 (attempted doing it but never managed it, by the way 😅), read books about out-of-body experiences (hello, Robert Monroe!), and devoured stories by hypnotherapists who regressed their clients to past lives. It was (and still IS) deeply fascinating to me. A part of me was always looking for deeper answers through the spiritual.

Though I never felt called to the major religions (aside from a soft spot for Buddhism and Zen), I became intrigued by the more modern spiritual teachers of our time. I follow(ed) Eckhart Tolle, Matt Kahn, Ram Dass, Gangaji, Teal Swan, Adyashanti… and perhaps most notably, Byron Katie. I also loved listening to Alan Watts wax poetic about the nature of existence and the universe. For a while I worshipped these people in many ways and felt they held the answers to all of life’s mysterious problems.

Many of these figures have since fallen from their pedestals a bit, but their ideas and approaches to life helped me enormously in times of distress.

Byron Katie, in particular, was a huge influence on me for a time. I even interviewed her for my YouTube channel (the video is now private). During that conversation, she gifted me a scholarship to her "9 Days for The Work" program. I was deeply honoured, jumped on a plane... only to discover that the experience didn’t resonate with me at all. In fact, I found parts of it quite harmful.

I haven’t spoken publicly about this much, but those memories have been resurfacing lately. It feels important to acknowledge how easy it is to place ‘beloved gurus’ on pedestals, forgetting that they, too, are human. Flawed. Sometimes even dangerous.

In my own journey, I’ve learned to take what works from a teacher or teaching, and leave the rest behind. This painting (2014), featuring a powerful and beautiful quote by Byron Katie, reflects the love I had (and still have) for parts of her work. I still find some of it deeply helpful. But now I hold it all through a more balanced, humanised lens.

What about you? Have your gurus ever `fallen`? ♥️♥️♥️

Open
Mental health struggles and trauma made me a seeker. I’ve been drawn to the spiritual from a young age. I started dabbling in ideas like astral travel at 15 (attempted doing it but never managed it, by the way 😅), read books about out-of-body experiences (hello, Robert Monroe!), and devoured stories by hypnotherapists who regressed their clients to past lives. It was (and still IS) deeply fascinating to me. A part of me was always looking for deeper answers through the spiritual.

Though I never felt called to the major religions (aside from a soft spot for Buddhism and Zen), I became intrigued by the more modern spiritual teachers of our time. I follow(ed) Eckhart Tolle, Matt Kahn, Ram Dass, Gangaji, Teal Swan, Adyashanti… and perhaps most notably, Byron Katie. I also loved listening to Alan Watts wax poetic about the nature of existence and the universe. For a while I worshipped these people in many ways and felt they held the answers to all of life’s mysterious problems. 

Many of these figures have since fallen from their pedestals a bit, but their ideas and approaches to life helped me enormously in times of distress.

Byron Katie, in particular, was a huge influence on me for a time. I even interviewed her for my YouTube channel (the video is now private). During that conversation, she gifted me a scholarship to her "9 Days for The Work" program. I was deeply honoured, jumped on a plane... only to discover that the experience didn’t resonate with me at all. In fact, I found parts of it quite harmful.

I haven’t spoken publicly about this much, but those memories have been resurfacing lately. It feels important to acknowledge how easy it is to place ‘beloved gurus’ on pedestals, forgetting that they, too, are human. Flawed. Sometimes even dangerous.

In my own journey, I’ve learned to take what works from a teacher or teaching, and leave the rest behind. This painting (2014), featuring a powerful and beautiful quote by Byron Katie, reflects the love I had (and still have) for parts of her work. I still find some of it deeply helpful. But now I hold it all through a more balanced, humanised lens.

What about you? Have your gurus ever 'fallen'? ♥️♥️♥️

✨ One Week to Go! Come Join the Cutie-Ful Fun ✨
Friends! Here a joyful reminder that Creating Cuties starts in ONE WEEK!

I’m so excited to begin this adorable, joy-sparking journey! Over the coming weeks, we’ll be painting the cutest animal characters, exploring playful colour palettes, and learning how to infuse our work with charm, expression, and warmth.

If you’ve been thinking about joining us, now’s the time! Doors will be closing soon and so does the 25% off early bird discount code, and I’d so love to welcome you in before we begin!

Here’s what Creating Cuties is all about:

🌈 You`ll learn to draw and paint whimsical animals in sweet, joy-filled scenes
🎨 I’ll guide you step-by-step with accessible, mixed media techniques
🐾 It’s beginner-friendly, playful, and full of feel-good vibes
💖 Most importantly, it’s all about creating art that lifts your spirit
The course officially starts on 12th August and you’ll get instant access to the classroom as soon as we begin.

✨ Don’t miss your chance to join this heartwarming, creativity-boosting adventure!

👉 Click here to sign up now:

https://bit.ly/CreatingCuties

Let’s paint some cuteness together; it would be an honour to have you in the class. ♥️♥️♥️

Big hugs and sparkly paws,
Tam
@everyone

Open
✨ One Week to Go! Come Join the Cutie-Ful Fun ✨
Friends!  Here a joyful reminder that Creating Cuties starts in ONE WEEK! 

I’m so excited to begin this adorable, joy-sparking journey! Over the coming weeks, we’ll be painting the cutest animal characters, exploring playful colour palettes, and learning how to infuse our work with charm, expression, and warmth.

If you’ve been thinking about joining us, now’s the time! Doors will be closing soon and so does the 25% off early bird discount code, and I’d so love to welcome you in before we begin!

Here’s what Creating Cuties is all about:

🌈 You'll learn to draw and paint whimsical animals in sweet, joy-filled scenes
🎨 I’ll guide you step-by-step with accessible, mixed media techniques
🐾 It’s beginner-friendly, playful, and full of feel-good vibes
💖 Most importantly, it’s all about creating art that lifts your spirit
The course officially starts on 12th August and you’ll get instant access to the classroom as soon as we begin.

✨ Don’t miss your chance to join this heartwarming, creativity-boosting adventure!

👉 Click here to sign up now: 

https://bit.ly/CreatingCuties 

Let’s paint some cuteness together;  it would be an honour to have you in the class. ♥️♥️♥️ 

Big hugs and sparkly paws,
Tam 
@everyone

I`m doing final preps for my new course (Creating Cuties) and just bumped into this super sweet image, totally forgot that I`d made this cute little character with funny speech bubble. One of the perks of perimenopause BRAIN FOG, is that you also forget the fun stuff you did for others and then are pleasantly surprised when you find random funny/ sweet things you did! 😂😁😆

Open
I'm doing final preps for my new course (Creating Cuties) and just bumped into this super sweet image, totally forgot that I'd made this cute little character with funny speech bubble. One of the perks of perimenopause BRAIN FOG, is that you also forget the fun stuff you did for others and then are pleasantly surprised when you find random funny/ sweet things you did! 😂😁😆

"Angels Are Always With You" - This painting, created in 2014, was loosely inspired by the mystical works of Susan Seddon Boulet. Her art whispered to me of protection, connection, and unseen realms; and I was quietly enamoured by it all.

Looking back on my childhood, I realise that I grew up with a strong sense that I had to be independent, resilient, and self-reliant; a kind of emotional armouring that still echoes through me today. It’s something I’ve worked on in therapy for many years, but a streak of avoidant attachment still lingers. Being bullied in childhood and not receiving much support for this; I learned early on that depending on others often led to disappointment, so I built my safety through self-dependence.

My beautiful love Andy, and many of my close friends these days, continue to show me (again and again) that this belief doesn’t always hold true. That some people can be safe harbours and that is why kindness and true support heals me a bit, every day.

Still, you can see in this painting a deep yearning, perhaps even a knowing, that I’ve always held: a longing to be surrounded by protectors. Angels. Guides. Mentors. Elders. Ancestors. I feel them, both the ones in spirit, and a few very special ones in the flesh. 💕

I remember once, in my twenties, feeling so ready for a teacher that I approached a real, board-certified Zen master. I was prepared to be devoted, to be led. He invited me to meet at a pub and promptly spilled beer on my trousers. 😂 At the time, I was slightly horrified. Now I see: perhaps that was the lesson. (Very Zen.)

And so, I kept walking my own path. But even now, I believe those angels (seen or unseen) have always been with me. In whispers, in wings, in laughter, in love. Somehow, some way.

This is day 10 of a ‘gentle return to social media’ read more about this practice here: http://bit.ly/3IHFxir 🌱

Open
"Angels Are Always With You" - This painting, created in 2014, was loosely inspired by the mystical works of Susan Seddon Boulet. Her art whispered to me of protection, connection, and unseen realms; and I was quietly enamoured by it all.

Looking back on my childhood, I realise that I grew up with a strong sense that I had to be independent, resilient, and self-reliant; a kind of emotional armouring that still echoes through me today. It’s something I’ve worked on in therapy for many years, but a streak of avoidant attachment still lingers. Being bullied in childhood and not receiving much support for this; I learned early on that depending on others often led to disappointment, so I built my safety through self-dependence.

My beautiful love Andy, and many of my close friends these days, continue to show me (again and again) that this belief doesn’t always hold true. That some people can be safe harbours and that is why kindness and true support heals me a bit, every day. 

Still, you can see in this painting a deep yearning, perhaps even a knowing, that I’ve always held: a longing to be surrounded by protectors. Angels. Guides. Mentors. Elders. Ancestors. I feel them, both the ones in spirit, and a few very special ones in the flesh. 💕 

I remember once, in my twenties, feeling so ready for a teacher that I approached a real, board-certified Zen master. I was prepared to be devoted, to be led. He invited me to meet at a pub and promptly spilled beer on my trousers. 😂 At the time, I was slightly horrified. Now I see: perhaps that was the lesson. (Very Zen.)

And so, I kept walking my own path. But even now, I believe those angels (seen or unseen) have always been with me. In whispers, in wings, in laughter, in love. Somehow, some way.

This is day 10 of a ‘gentle return to social media’ read more about this practice here: http://bit.ly/3IHFxir 🌱

In case you missed the newsletter! --> Coming in 2026: A whole year of magic & fairy tales! 🧚‍♀️📜

So many of you have asked about this…

“What’s the theme for your next year-long course, Tam?”
“Will there be another Year of Light or will we do something else?”

Well, I’m so excited to finally share it with you! 🌟 Ready? 😊

Next year’s magical, joy-filled, heart-expanding journey will be called:

✨ A Year of Magic & Fairy Tales ✨– a magical adventure through magic, story, wonder, and everyday enchantment.

This course is a heartfelt offering; not just for your creative practice, but also for your spirit. ✨🙏✨

I know that life can feel heavy sometimes (hello understatement). The world has been challenging for so many of us for a long while now. Personally, I’ve often found myself longing for comfort, softness, a sense of wonder… and that’s exactly what I’ve poured into this new course.

This course will offer a way to come back to yourself, to spark imagination, and to gently hold the parts of us that feel weary or overwhelmed. It’s balm for the soul; a little candle in the dark. 🕯️

In this course, we’ll explore magic in a broad sense, but also story, myth & lore and subjects like glowing forests, storybook characters, enchanted creatures, shimmering moons, and everyday objects or experiences turned magical. We’ll look for magic in the ordinary and extraordinary and paint it to our hearts’ content!

Expect a beautiful blend of my signature mixed media lessons, a stunning team of guest teachers, and a touch of playfulness, nostalgia, and wonder throughout. 🎨🦉🌙

I’ll share full details, the teacher line-up, and the early bird details & launch date very soon, but I wanted you to know the theme ahead of time, in case it resonates deeply and you’d like to save your spot.

If you’re craving magic, softness, enchantment and art that feels like a warm, whimsical hug; this one’s for you. 💛

With fairy wings and love,
Tam x ✨💕

PS. More details and all sign up info will launch near the end of August/ Early Sept ♥️♥️♥️

PPS. YES!! There will of course be an AWESOME taster event for this course too, can’t wait to share the details with you!!

Open
In case you missed the newsletter! --> Coming in 2026: A whole year of magic & fairy tales! 🧚‍♀️📜

So many of you have asked about this…

“What’s the theme for your next year-long course, Tam?”
“Will there be another Year of Light or will we do something else?”

Well, I’m so excited to finally share it with you! 🌟 Ready? 😊

Next year’s magical, joy-filled, heart-expanding journey will be called:

✨ A Year of Magic & Fairy Tales ✨– a magical adventure through magic, story, wonder, and everyday enchantment.

This course is a heartfelt offering; not just for your creative practice, but also for your spirit. ✨🙏✨

I know that life can feel heavy sometimes (hello understatement). The world has been challenging for so many of us for a long while now. Personally, I’ve often found myself longing for comfort, softness, a sense of wonder… and that’s exactly what I’ve poured into this new course.

This course will offer a way to come back to yourself, to spark imagination, and to gently hold the parts of us that feel weary or overwhelmed. It’s balm for the soul; a little candle in the dark. 🕯️

In this course, we’ll explore magic in a broad sense, but also story, myth & lore and subjects like glowing forests, storybook characters, enchanted creatures, shimmering moons, and everyday objects or experiences turned magical. We’ll look for magic in the ordinary and extraordinary and paint it to our hearts’ content!

Expect a beautiful blend of my signature mixed media lessons, a stunning team of guest teachers, and a touch of playfulness, nostalgia, and wonder throughout. 🎨🦉🌙

I’ll share full details, the teacher line-up, and the early bird details & launch date very soon, but I wanted you to know the theme ahead of time, in case it resonates deeply and you’d like to save your spot.

If you’re craving magic, softness, enchantment and art that feels like a warm, whimsical hug; this one’s for you. 💛

With fairy wings and love,
Tam x ✨💕

PS. More details and all sign up info will launch near the end of August/ Early Sept ♥️♥️♥️

PPS. YES!! There will of course be an AWESOME taster event for this course too, can’t wait to share the details with you!!
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